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It's summer! And with the warmth and humidity that are driving many into air conditioning, the Woodberry is thriving. This past Sunday, on June 28th, it was in fine enough form to weather a 90 minute program for the first recital of its kind in recent memory. The recital showcased the abilities of the instrument while bringing awareness to its existence and need, and the Woodberry was certainly happier than it was during the cold weather it was experiencing at the time of our previous post.


Featuring pieces from the 1800-1900s, Sunday afternoon's program included composers varying from Bach, Dupre, and Durufle, to Finzi, Glass, Portman, and Murrill. An audience favorite was "Mad Rush" by Phillip Glass, a fifteen minute minimalist composition evocative of both peace and magnificent chaos. It alternated and entwined in ways that inspired the listener to quiet awe. This piece utilized both the main organ and its smaller side counterpart, both of which were operated from the main console at the foot of the facade. This physical surround-sound filled the space wholly with an all-encompassing sound. The peace that followed the final notes contrasted with the almost tangible nature of the preceding music, leaving a sense of the absence of an almost physical entity.


It was truly a captivating experience.


We would like to thank our organist, Rob St. Cyr, for his wonderful exposition of the Woodberry organ's beauty, and also his son, page-turner, stop-pusher, and organist-in-training. He is a testament to the importance of this instrument to future generations. Lastly, a resounding thank you to all who attended to enjoy and support the Woodberry Cole at Ste. Marie!

 

In a dark, silent and cavernous, yet packed and expectant space, a small call sounded.


Gloria in excelsis Deo!


Immediately the last note was superseded by a massive chord from the long-silent organ, which quickly morphed into a deafening series of runs and interwoven melodies as the lights came on and the building awoke. What was dark and still was now a bright, joyous atmosphere alive with music. On April 19th, Holy Saturday 2025, the Woodberry organ at Ste. Marie led public worship for the first time in months.


While it is usually the practice of the Church to use subdued tones and acapella singing for the period between the Thursday preceding Easter and the Vigil of the same, Ste. Marie lost her full organ months earlier. The Woodberry had been ailing due to dry weather, and even as our organist did his best to disguise dead notes and stuck ciphers, the organ slowly protested, until stuck notes finally interfered with its full function. Bach doesn’t sound the same with an unexpected, and unrelenting, whine.


The sad decision being made to rest the main organ until more amenable weather arrived, we made do with the smaller organ in the side choir loft. For the past weeks, it has been leading the ensemble in quiet chants and Lenten hymns, even swelling to some larger pieces by Handel to prepare for the forthcoming reawakening.


On Holy Saturday, the church, though filled, was silent and lit only by candles. Interspersed with various readings, psalms were accompanied by the small side organ, which our organist operated remotely from the main organ console. The anticipation for that final, climactic Gloria! was all the more potent this year for its prolonged delay, and the joy of Easter broke forth in triumphal organ swells once again in 2025. May it continue to do so for years to come!


 
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